More on Once Upon A Time
Oct. 4th, 2012 09:51 pmOnce Upon a Time is really grew on me. It rewards thought. Moreover, I'm beginning to think that a lot of the things I originally took as flaws to be gotten past were deliberate choices trying to convey a message.
( Spoilers for season one. Seriously, friends who are watching it, don't read this )
I am not entirely convinced the show is doing this intentionally. It is awfully subtle. On the other hand, several of the writer/producers are affiliated with Whedon shows (and one director started on The Shield), and the show's three biggest characters are all women. Exact Bedchel test passing rate depends on whether how you count a 10 year old boy as a conversation topic, but even when they're talking about men, the focus is on the women. With the exception of Rumplestiltskin, the male characters are plot objects, ciphers, and refrigerator occupants. And even if it's not strictly intentional, it may be consistent enough that I can enjoy the show by applying my own interpretation, like Glee.
The two worst traits continue to be the child's lack of trauma over his evil queen mother (did you know evil queen is a pop-psych type of narcissist?), and the protagonist's complete and utter willingness to trust everyone, in the face of both genre savvy and a life that should have left her anything but. These both annoy me.
If I had to pick two themes for OUaT, it would parental love and acceptance of one's fate. I cannot tell you the number of times a character has struck a bargain with someone clearly untrustworthy, and justified it by "I don't have a choice." I don't think I need to bring back the spoiler tag to protect you all from the fact that this doesn't work any better than going double or nothing in blackjack. If the characters simply accepted how bad things were, that fixing them would be slow work, and certain things were irreplaceable, they would ultimately be happier.
I don't know how much I have to say on the parental love thing, because I have nothing to add to it. It's very well done, in an area that, for all it's importance, gets a lot less attention than romantic love in media.
( Spoilers for season one. Seriously, friends who are watching it, don't read this )
I am not entirely convinced the show is doing this intentionally. It is awfully subtle. On the other hand, several of the writer/producers are affiliated with Whedon shows (and one director started on The Shield), and the show's three biggest characters are all women. Exact Bedchel test passing rate depends on whether how you count a 10 year old boy as a conversation topic, but even when they're talking about men, the focus is on the women. With the exception of Rumplestiltskin, the male characters are plot objects, ciphers, and refrigerator occupants. And even if it's not strictly intentional, it may be consistent enough that I can enjoy the show by applying my own interpretation, like Glee.
The two worst traits continue to be the child's lack of trauma over his evil queen mother (did you know evil queen is a pop-psych type of narcissist?), and the protagonist's complete and utter willingness to trust everyone, in the face of both genre savvy and a life that should have left her anything but. These both annoy me.
If I had to pick two themes for OUaT, it would parental love and acceptance of one's fate. I cannot tell you the number of times a character has struck a bargain with someone clearly untrustworthy, and justified it by "I don't have a choice." I don't think I need to bring back the spoiler tag to protect you all from the fact that this doesn't work any better than going double or nothing in blackjack. If the characters simply accepted how bad things were, that fixing them would be slow work, and certain things were irreplaceable, they would ultimately be happier.
I don't know how much I have to say on the parental love thing, because I have nothing to add to it. It's very well done, in an area that, for all it's importance, gets a lot less attention than romantic love in media.